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"What, then, are we to do?" (*)

What, then?
What them?
Want them?
What end?
Want's end!
One tent.
Onement.

-gs

(*) This enduring question is asked in various ways in:
-- The Year of Living Dangerously (film),
-- What Shall We Do Then? Leo Tolstoy
-- Luke 3:10-11.
-- Lotus Sutra.

This form of morphemic transformation is familiar to many of us from our childhood as "the telephone game", except that in that game all we get is the original sentence and the final version -- the intermediate sentences are not revealed -- supposedly as a dramatic admonition to children against gossip and later in self-improvement seminars to demonstrate the poor results of trying to communicate unilaterally without feedback.

Here, I'm using an experimental technique that i'll call progressive morphemic transformation (PMT). I follow intuitively (not procedurally) a non-linear, possibly looping, path of small, incremental phonetic changes that reveal the morpheme-space contiguous to the morphemes in the original phrase and in the subsequently encountered phrases -- in hope of serendipitously discovering meaningful insights, without forcing a path to some predetermined target phrase.

i have no idea if this technique has any relationship to any other use of the term "morphemic transformation", but after a quick google search, i found that it is a "creative constraint" possibly akin to what is described in this Journal article by Colin Symes; Mosaic (Winnipeg), vol 32, 1999, Writing by Numbers: OuLiPo and the Creativity of Constraints

Currently reading :
Coming to Our Senses: Healing Ourselves and the World Through Mindfulness
By Jon Kabat-Zinn